where do these projections of a REAL public space are coming from? where this desire is formed? or what are the origins of this desire?
important
aspect of time as duration in/on space for decoding inherent
structures of space(s)
layers
for layers, they need time to step through, step through different
surfaces of appearance
an
archeology of understanding?
understanding of what?
time
creates depth?
through
just staying
through
implanting physical immobility
what
can become specific in an urban mapping, a mapping via physical
crossing of space (individual, group focussed or as a group) and at the same time observation of the own perceptions
(analysis of conditions)?
what
are these space as political territories, as social belongings, as
scenografies of relations and desires? as carthografies of economies
and potential trade and migration?
zones
for segregation
system
of bagging
who
where how?
systems of re- organisation
appropriation
systems of re- organisation
appropriation
where are scenografies findable in the public sphere?
what do they qualify?
how
they inform the social stage, the imaginary space and the narrative
about a space?
what
is their material?
their
intervention?
a
physical setting for / of group as a social scenografy implemented in
an already informed space.
no
space is innocent
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